Monday, July 25, 2016

Praying the Angelus with Art: This Week's Image



From the notes in the Walters Museum of Art catalog: Monogrammed "S. C." [for the artist, Suzanne de Court] in gold letters near the top of the left edge, this devotional plaque is by the only woman enamel painter to sign her work (sometimes in full). Based on the same source as the Annunciation plaque by Jean Limosin (Walters 44.346), this piece is notable for the brilliance of the translucent enamel colors, especially the garnet red, and the delicately applied gilding, although the overall emphasis on surface pattern, dazzling though it is, nearly flattens out the space.
 

Monday, July 18, 2016

Praying the Angelus with Art: This Week's Image

Note God the Father appearing in the middle of this altarpiece!


From the notes for this work (Walters Museum of Art): This relief is from an altarpiece that probably depicted the life of Christ. The Archangel Gabriel appears to the Virgin carrying a scroll upon which his salutation: "Ave Maria gratia plena" ("Hail Mary, full of grace") probably appeared, as it does on the version below. God the Father holds an orb representing the universe and blesses the event. The vase of lilies, an allusion to the Virgin's purity, is often found in Annunciation scenes. The flamboyant sweep of Gabriel's immense wings, which encompasses the donor, a Franciscan monk*, and gently caressing the Virgin, is a feature shared with reliefs from a workshop that flourished from the 1390s to the 1440s in the neighboring towns of Joinville and Vignory in northeast France. Most of these reliefs were intended to be painted.
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*Eventually, the curators may learn that Franciscans are not monks but friars.

Monday, July 11, 2016

Praying the Angelus with Art: This Week's Image

In honor of today's feast of St Benedict, abbot, the Annuncation scene for this week is from a bishop's (or abbot's?) crozier. Three serpents fall headlong down the staff, showing God's triumph over sin through Christ's incarnation.


Monday, July 4, 2016

Praying the Angelus with Art: This Week's Image

This lovely scene is a rare late Renaissance work by a woman artist, 
Lavinia Fontana (1552-1614). From the Walters Museum of Art.

Monday, June 27, 2016

Praying the Angelus with Art: This Week's Image

This late 18th century icon shows so much Western influence it is barely an "icon" in the liturgical sense. Is that trapezoidal transparency in Gabriel's robe the traditional "error" in the painting, left to show that no human work can be perfect?

Monday, June 20, 2016

Praying the Angelus with Art: This Week's Image

Early 14th century (French Gothic) clasp from a vestment (cope?) depicts the Annunciation. From the Walters Museum of Art.

Monday, June 13, 2016

Praying the Angelus with Art: This Week's Image


Annunciation by the Master of the Triptych, from the Metropolitan Museum of Art.

About the artist (from the Museum site):
This master is recognized as the enameler of a triptych with a central scene of the Annunciation flanked by donor portraits of Louis XII of France (1462–1515) and his queen, Anne de Bretagne (d. 1514), painted between 1499 and 1514. Now in the Victoria and Albert Museum, London, that triptych is arguably the most beautiful early sixteenth-century Limoges enamel in existence. This plaque is a variant of the London triptych’s central panel.

Workshop of Master of the Triptych of Louis XII
(ca. 1490–ca. 1515)
Date: probably early 16th century
Culture: French, Limoges
Medium: Painted enamel on copper, partly gilt